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DTSTART;TZID=Europe/Rome:20230223T080000
DTEND;TZID=Europe/Rome:20230525T170000
DTSTAMP:20260504T174333
CREATED:20230130T134422Z
LAST-MODIFIED:20230130T134422Z
UID:28526-1677139200-1685034000@www.sma.unipr.it
SUMMARY:PNRR: over 870\,000 euro for the Natural History Museum and CSAC
DESCRIPTION:From the Ministero della Cultura\, thanks to the PNRR\, over 870\,000 euros arrive at the University of Parma for the Natural History Museum and the Communication Studies and Archive Centre – CSAC. \nIn fact\, the University has participated with two projects in the ministerial call for proposals for the removal of physical\, cognitive and sensory barriers in public museums and cultural venues\, with the aim of significantly expanding the accessibility and sharing of its heritage\, paying particular attention to issues of sustainability and inclusion.\nThe two projects\, which focused on the renovation of the Natural History Museum and the expanded accessibility of the CSAC’s heritage\, were approved for funding for a total of €871\,248. \nTwo projects in detail:\nNatural History Museum\nThe Ministry has granted EUR 500\,000 to make the historical and educational collections of the Natural History Museum of the University of Parma accessible in a single integrated collection\, breaking down motor\, cognitive and sensory barriers to allow all types of audiences access to an independent visit\, and also enhancing educational activities. Currently\, the accessibility of the museum’s holdings is limited by the spatial dispersion of the collections and educational laboratories over several buildings and several vertical levels\, which particularly penalises visitors with mobility impairments. The project will make it possible to create a museum organised to be accessible to all and sundry\, with collections also set up to disseminate the principles of biodiversity\, environmental protection and the comparison of two cultures. The project will be the driving force behind the intersection of museum collections with debates on sustainability and the role of the scientific community in relation to society.\nThe proposed intervention consists in the creation of an independent\, barrier-free access route on two levels of the University’s Headquarters: on the ground floor\, an arrangement will be created along the perimeter corridor\, where the collections now decentralised in various plexuses will be relocated; on the first floor\, a single entrance will be created\, also signalled by a tactile-planar pathway\, with stairs and a lift suitable for motor and sensory disabled persons. The sensory and cognitive accessibility of the collections will be improved by using new display cases of a height suitable for children and visitors with wheelchairs\, thus enhancing the quality of the visitor experience for the entire public.\nUse will be made of digital explanatory aids and augmented reality tools such as LIS video guides\, ITA/ENG audio guides\, audio guides for the blind\, virtual tours\, augmented reality characters for children\, bilingual panels with interactive displays\, touch totems for zooming in on exhibits\, digital caption reading\, QR codes.\nI lavori inizieranno questo mese e termineranno nella primavera del 2024. \nCentro Studi e Archivio della Comunicazione – CSAC\nThe CSAC project received €371\,248 and is dedicated to improving the public welcome of the Centre. The Abbey of Valserena\, a prestigious venue\, has several rooms dedicated to the public\, recently further extended with the possibility of visiting part of the archive\, but some of them present critical access for differently abled persons The aim of the project is to create an extended and integrated reception system through the provision of effective actions and tools for several types of users. Reception and visitor support services will be improved\, including through apps and devices with verbal\, written and LIS content. The facility will be equipped with a tracked stair lift for wheeled chairs for access to the basement and mezzanine areas\, and a free transport service will also be activated by reservation\, suitable for disabled persons.\nLaboratory and tactile enjoyment of the collections will be facilitated by using 3D prints of objects in the archive\, with the inclusion of devices for activating additional information. Workshop experiences will be planned for adults\, children and schools that\, starting from the works and narratives of the Museum\, will provide an opportunity to update the proposals and be a starting point for an in-depth examination of specific themes\, including social ones (homophobia\, feminicide\, widespread poverty\, new slavery\, war\, psychological distress\, etc.).\nThe expected results are to create an enlarged community around the structure\, interactive with it\, so that together with the public new knowledge can be generated\, consolidating the social and touristic role of the Museum\, with economic spin-offs on the territory as well. The work is scheduled for completion by the end of 2023.
URL:http://www.sma.unipr.it/en/event/pnrr-over-870000-euro-for-the-natural-history-museum-and-csac/
CATEGORIES:CSAC,Museum of Natural History,News
ATTACH;FMTTYPE=image/jpeg:http://www.sma.unipr.it/wp-content/uploads/2023/01/Galleria-della-Sistematica-1-1.jpg
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DTSTART;TZID=Europe/Rome:20230304T000000
DTEND;TZID=Europe/Rome:20230416T235900
DTSTAMP:20260504T174333
CREATED:20230313T143202Z
LAST-MODIFIED:20230313T143204Z
UID:28951-1677888000-1681689540@www.sma.unipr.it
SUMMARY:CSAC: open until 16 April the exhibition "Goliardo Padova. La forma del tormento".
DESCRIPTION:It will be open until 16 April for the exhibition ‘Goliardo Padova. La forma del tormento”\, curated by Giulia Castagnetti and Giulia Ferrari\, with which the CSAC once again reflects on the figure of an artist whose collection\, preserved in the archive itself\, counts almost four hundred works including canvases and drawings\, posters and engravings donated by his heirs. \nWith this exhibition\, the CSAC opens a series of exhibitions in the Sala delle Colonne\, characterised by common elements despite the diversity of themes\, topics\, authors and genres to which each is dedicated. All exhibitions generated by archival surveys conducted by staff working in the Centre combine the functions of archival preservation and management with those of heritage enhancement and knowledge dissemination. Mostre originali\, per i temi selezionati\, oppure per il taglio critico dato\, o per i materiali inediti scelti\, e mostre characterised by low environmental and financial impact designThe layout design\, graphics and actual realisation are also entirely conducted by the in-house technical staff\, with particular attention to the reuse of materials\, furniture\, supports and structures. \nThus\, an idea of cultural production that values design and implementation skills\, continuity between intellectual elaboration and operational and managerial implementation\, characteristics that have always been the heritage of the CSAC and the University. \nAs far back as 1985\, Arturo Carlo Quintavalle published an article entitled Goliardo Padova and European Expressionism\, outlining what is now intended to be the key that has guided the selection of a nucleus of works within the artist’s variegated corpus preserved at the CSAC. \nGoliardo Padova (Casalmaggiore\, CR\, 1909 – Parma 1979)\, after an education at the Art Institute in Parma and the Brera Academy of Fine Arts\, became involved in the most up-to-date Milanese cultural circles and became assistant professor to Guido Marussing at the Scuola Superiore per gli Artefici.\nHe experimented with and mastered a variety of artistic languages\, including decorative and architectural composition and advertising graphics. His field of choice\, however\, is easel painting\, in which the depiction of his homeland finds greater space. \nAfter an initial experience in close contact with the Novecento Group and the Milanese Chiaristi\, he arrived at a highly personal interpretation of reality. \nGoliardo Padova’s canvases have often been approached by critics\, due to an affinity of subjects treated\, to the group of so-called ‘last naturalists’ from the Po Valley\, as defined by Francesco Arcangeli in the pages of Paragone in 1954. \nAlthough there is no lack of references in Padua’s works to such close artists as Mattia Moreni\, Ennio Morlotti and others\, with La forma del tormento we wish to emphasise the great fascination that expressionist art has played in his career \nExpressionism\, in fact\, read and learnt in its various facets\, is for him a suitable means of giving voice to his own\, burning inner conflict. \nA first selection of works testifies to the early attention Padua paid to these languages as early as the 1930s and 1940s: the choice\, first and foremost\, of techniques such as woodcuts\, the hard\, decisive strokes in the figures that animate his prints\, bring to mind the direct taste for a form of primitivism so beloved of the German masters. \nIn 1943 came the great rupture that indelibly marked Padua\, as an artist but above all as a man: he was deported to Germany to a concentration camp from which he managed to escape four years later. \nA painful silence followed\, lasting almost a decade\, but it was in the subsequent return to painting\, mainly through the use of expressionist language\, that Padua was able to give voice to his torment. \nThe exhibition presents\, through five sections\, the fascination and admiration that Padua had for the great masters throughout his careerfrom Munch and Heckel to Kirchner via the Post-Impressionists and on to the European and American Informal\, resulting in an innovative and entirely personal reworking of contemporary language. \nGoliardo Padova. La forma del tormento \nedited by Giulia Castagnetti and Giulia Ferrari \nCSAC\, Università di Parma \nAbbey of Valserena \nStrada Viazza di Paradigna\, 1\, 43123 Parma PR \nExhibition opening: 4 March 2023 – 16 April 2023 \nMuseum opening hours: \nFriday 9 am – 3 pm | Saturday and Sunday 10 am – 7 pm \nTuesday to Thursday guided tours by appointment. \nEducational workshop: The Shape of Colour: An Educational Experience of the Works of Goliardo Padova\, \nFor families: Saturday 1 and Sunday 2 April\, 3 p.m. and 4 p.m.\, reservation required \nFor schools: 27-31 March\, by appointment \nInfo and reservations: \ntel. 0521 903649 \ne-mail csac@unipr.it\, servizimuseali@csacparma.it \nwebsite: https://www.csacparma.it/goliardo-padova-la-forma-del-tormento/
URL:http://www.sma.unipr.it/en/event/csac-open-until-16-april-the-exhibition-goliardo-padova-la-forma-del-tormento/
LOCATION:CSAC\, Strada Viazza di Paradigna\, 1\, PARMA\, 43022\, Italia
CATEGORIES:CSAC,exhibitions,News
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