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DTSTART;TZID=Europe/Rome:20241113T080000
DTEND;TZID=Europe/Rome:20250630T170000
DTSTAMP:20260501T213906
CREATED:20241126T104809Z
LAST-MODIFIED:20241126T104809Z
UID:39014-1731484800-1751302800@www.sma.unipr.it
SUMMARY:MUST is born: Italy's first Museum of Natural History. Watch the video!
DESCRIPTION:Italy’s first Museum of Natural History is being set up at the University of Parma: MUST.\nA museum that is accessible to all\, with special attention to those with sensory and mobility difficulties\, and which aims to be a great natural history tale along the timeline. Work is ongoing and the opening is scheduled for June 2025. \nOn Tuesday 12 November\, in the Aula Magna of the University\, the presentation of the project was held\, with speeches by the Rector Paolo Martelli\, the Delegate for Museum Activities Donato Antonio Grasso\, the Head of the Area for Relations with Society Riccardo Marini\, the Scientific Director of MUST Davide Persico\, the expert in exhibition valorisation Maria Amarante and Sandrino Luigi Marra\, in charge of the MUST’s soft decolonisation process. Deputy Pro-rector Fabrizio Storti also spoke at the meeting. \nThanks to a PNRR grant from the Ministry of Culture\, a process of complete renovation and rethinking of the University’s Natural History Museum has begun: at the end of this process\, the MUST will be created. \nIn the Museum of Natural History\, located in the University’s main building since the end of the 18th century\, the accessibility of the museum’s holdings was limited by the spatial dispersion of the collections and laboratories over several buildings and several vertical levels\, which particularly penalised visitors with mobility impairments. The new project will make it possible to create a museum organised to be accessible to all and sundry\, with collections also set up to disseminate the principles of biodiversity\, environmental protection and cultural exchange The project is also intended to be a driving force for the museum collections to intersect with debates on sustainability and the role of the scientific community in relation to society. \nThe collections will be integrated in a single location in the University’s main building\, breaking down motor\, cognitive and sensory barriers to allow all audiences to visit independently\, and also enhancing educational activities. The intervention consists of the creation of an independent\, barrier-free access route on two levels: ground floor and first floor. On the ground floor\, a layout will be created along the perimeter corridor\, where materials representative of the collections previously decentralised in various locations will be relocated. On the first floor\, a single entrance will be created\, also signalled by a tactile footpath\, with stairs and a lift suitable for motor and sensory disabled people. Sensory and cognitive accessibility to the collections will be improved by using new display cases of a height suitable for children and wheelchair users\, thus enhancing the quality of the visitor experience for the entire public. Digital explanatory aids will be used. \nIn MUST\, the idea was to describe Natural History through a historiographical chronological path\, represented by the personalities who founded and contributed to the growth and evolution of the Museum. From Father Fourcault\, who will welcome visitors by recounting the time when he started a small collection of natural history exhibits in 1768\, to Duchess Maria Luigia of Austria\, who between 1816 and 1847 did her utmost to increase the collections and who will tell visitors about her love of the natural world: what enabled the original nucleus to be enriched with important exhibits\, considered extremely rare and fascinating at the time\, such as an ostrich specimen\, a kangaroo\, a narwhal tooth\, birds of paradise and the precious San Donnino meteorite (Fidenza\, 1808). Other guides of the museum will be other of its ‘fathers’: from Pellegrino Strobel to Alberto Del Prato and Angelo Andres. \nAt the opening of the tour\, there will be a re-enactment of the wunderkammer\, an exhibition hall ‘of wonders’ whose purpose was to stimulate the amazement of those who crossed its threshold: artefacts and objects of all kinds\, heterogeneous and spectacular\, will occupy all the surfaces of the hall\, the inside of the cupboards and the barrel ceiling\, just as happened in the Scholars’ Palaces from the 16th century onwards. And in closing there will be a new\, modern wunderkammer: a cubic room that will welcome visitors in an astonishing immersive vision of a thousand colours\, in the splendid collection of butterflies and beetles that belonged to Don Boarini and was acquired by the Museum in the 1990s. \nThere will be a section of human anatomy\, with a room dedicated to the work of anatomist Lorenzo Tenchini and his wax masks made on commission by Cesare Lombroso\, a room of comparative anatomy\, an ethnographic section\, and much more\, in a tour that promises to be truly a journey of wonders. \nThe layout will be totally revolutionised compared to the Natural History Museum\, and will be aimed at enhancing the heritage in a totally immersive approach. \nFollow the presentation
URL:http://www.sma.unipr.it/en/event/must-is-born-italys-first-museum-of-natural-history-watch-the-video/
LOCATION:Museo di Storiografia Naturalistica\, via Università 12\, Parma\, 43121
CATEGORIES:News,video,workshops and talks
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DTSTART;TZID=Europe/Rome:20250301T110000
DTEND;TZID=Europe/Rome:20250504T183000
DTSTAMP:20260501T213906
CREATED:20250224T151049Z
LAST-MODIFIED:20250312T103720Z
UID:41313-1740826800-1746383400@www.sma.unipr.it
SUMMARY:"Intorno ai ’70: ideologie\, progetti\, linguaggi nelle collezioni CSAC":The exhibition at Palazzo Pigorini
DESCRIPTION:It is a sort of ‘dissertation through images’ on the 1970s\, the second exhibition of the triptych envisaged by the collaboration betweeCSAC – Centro Studi e Archivio della Comunicazione of the Parma Univertity and the Municipality of Parma – Assessorato alla Cultura. After the exhibition “Visioni (im)possibili” of 2024\, which focused on the 1960s seen ‘from a Bauhaus point of view’\, here we are with “Intorno ai ’70″\, a journey through ideologies\, projects and languages from the CSAC collections\, which anticipates the final stage of the journey\, a survey of the 1980s that will be staged in 2026. \n\n\nIntorno ai ’70: ideologie\, progetti\, linguaggi nelle collezioni CSAC will be open on the first floor of Palazzo Pigorini from 1 March to 4 May. \nCurated by CSAC Director Cristina Casero\, lecturer in History of Contemporary Art at the University of Parma\, and by CSAC\, in collaboration with the City of Parma\, it offers an in-depth look at a decade in which artists\, photographers\, stylists\, designers and planners intercepted the tensions and social upheavals and in a broader cultural sense\, that erupted during 1968 and interpreted the utopias that swept through civil society\, often also giving voice to the increasingly widespread discontent in Italian society\, caught between modernity and problems that\, never dormant\, are now overbearingly exploding. \nThese are years in which many certainties are being questioned\, starting with some of the more traditional institutions. In this climate\, those professionally involved in visual communication\, art and design\, are questioning their own role. \nIn a society that commodifies even the artistic act\, the desire is to stimulate critical thought and reflection\, interpreting the innovative season that the country is going through\, and to renew languages in function of a more direct relationship with the public. \nIn the halls of Palazzo Pigorini\, the works of artists\, designers\, photographers\, illustrators and stylists dialogue with each other\, giving visitors a mosaic rich in suggestions and food for thought and highlighting the plurality of visual languages that permeated Italy in the 1970s. From the photographs of Mario Cresci and the Publifoto Roma agency to the sketches of Walter Albini\, Giorgio Armani\, Brunetta and Krizia\, from the design icons of Achille Castiglioni\, Alessandro Mendini\, Roberto Menghi\, Alberto Rosselli and Ettore Sottsass Jr. to the satire of Alfredo Chiappori and Felis to the works of Enrico Baj\, Emilio Isgrò\, Ugo La Pietra\, Mimmo Rotella\, Mario Schifano and Emilio Vedova. \nIn autumn\, a second exhibition dedicated to the 1970s will be set up at the Valserena Abbey\, CSAC’s headquarters\, with the aim of further exploring the themes investigated in the exhibition at Palazzo Pigorini. \nINFO \nIntorno ai 70: ideologie\, progetti e linguaggi nelle collezioni CSAC\ncurated by Cristina Casero and CSAC – Centro Studi e Archivio della Comunicazione of the University of Parma\nin collaboration with the Municipality of Parma\nPalazzo Pigorini\, Strada della Repubblica 29/A\, 43121 Parma\, first floor \nExhibition opening: 1 March – 4 May 2025\nOpening hours: Wednesday – Sunday and public holidays 10 a.m. – 7 p.m. (last admission to the exhibition 6.30 p.m.). Open 20 and 21 April (Easter and Easter Monday)\, 25 April\, 1 May.\nFree admission \npigorini@comune.parma.it\nwww.comune.parma.it/cultura \nTHE THREE-YEAR COLLABORATION PROJECT \n“Intorno ai ’70: ideologie\, progetti\, linguaggi nelle collezioni CSAC” is the second act of a three-year collaboration project between CSAC and the Municipality of Parma: in the three-year period 2024-2026 the project envisages six exhibition events\, three in the CSAC premises at the Abbazia di Valserena and three in an exhibition space of the Municipality\, to propose a reflection on recent history. The exhibitions have as their generating element the works and documents selected from the CSAC collections and aim to shed light not only on the major themes of the cultural debate of the identified period\, but also on social and political dynamics\, the transformations of the languages of communication and the complex and biunivocal relations between art and industry\, design and mass culture\, document and narration. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVai al blocco 0 del carouselVai al blocco 1 del carousel
URL:http://www.sma.unipr.it/en/event/intorno-ai-70-ideologie-progetti-linguaggi-nelle-collezioni-csac/
LOCATION:Palazzo Pigorini\, Strada della Repubblica 29/A\, Parma\, 43121
CATEGORIES:exhibitions,News
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